Well, I've been throwing this around lately, and I'll see how far it goes. I'll post it here for now since this seems the best place and the actual articles are in flux.
Fair Warning: the following story is set post-Faction War and post-Incursion, make of this what you will.
Scales of Reaction
Prologue: Watching the Watcher
Deep in the vastness of the Outlands, called Concordant Opposition by those who praise complex labels above useful ones, a great dragon sits atop a pile of shattered glass and watches the sand trickle through innumerable hourglasses. This is the Mausoleum of Chronepsis, named for the great dragon who resides there, and not only a dragon, but a deity of his kind, god of fate, of death, and of inevitable judgment. His task, given to him by his elder brother Io, creator of all dragons and some claim all things, is to watch over the lives of all the dragons in the vast multiverse, and to ward against those who meddle with the free and proper fates of these lives.
In this moment, called the present by most, and the Tenth Year since the War of the Factions by those who reckon such things for history, Chronepsis is not alone. This is not itself unusual, the lord of draconic death has not closed his realm from visitors, and though there is little purpose in traveling the cold halls of the Mausoleum, the vast planes have a seemingly endless supply of those with more curiosity than sense. However, the visitor before the massive colorless wyrm of the dead of this day was no wandering planewalker.
She, for though she is no simple mortal creature her femininity is unassailably part of her, is a creature formed of strange droplets, watery and whispering with sorrow, tall and slender in gray robes. Blue eyes stare down at the dragon god from where she floats above the floor to meet his gaze in a face otherwise devoid of any feature. Visions of strange and exotic places, creatures, and mysteries spill from her form as the rain falls from the sky, a torrent of the whitewater of unfiltered knowledge. This stream of data can scourge the minds of mortals, but Chronepsis swims in it effortlessly, absorbing all released before him, taking it as a form of tribute, though it is simply a by-product of his visitor’s nature.
The name of this visitor is Illurien of the Myriad Glimpses, though none save she knows is this is truly her name or simply a label fashioned to represent her. Chronepsis does not know, but the dragon god does not care, for it is not his business. Illurien is a collector of knowledge, and the Death Dragon knows she comes here to collect such. He tells her nothing himself, for the deity is mute, unable to communicate even in the mindspeach of telepathic magic or psionic probes, but she learns much all the same. To one with such knowledge as Illurien possesses the shifting patterns of the hourglasses, differences in size, abundance, and placement tell much. The dragon of fate allows her this, for she can learn nothing she is not meant to know, and if she we to try he would drive her from his presence and bar her from his realm forever.
Illurien does not press the forbearance of her host, and she respects his silence, saying nothing to disturb the mighty wyrm’s contemplation. She studies instead the many hourglasses, watching the sand run down as it measures out the lives of dragons, dragonkin, and all members of other races who follow the draconic pantheon. The hourglasses of these last are usually much smaller than those of the true dragon species, but tellingly this is not always so. Power and destiny weave a delicate waltz through the hall of the god of fate. The watery seeker admires all of this; it appeals to her alien ascetic sense. Had she a mouth she might smile at the colorless scaled deity before her.
There is a silent thrum of power and something shifts within the cavern. Chronepsis’ head does not move, for he knows all in this place inherently, but the gaze of Illurien shifts, and discovers a pocket of hourglasses of unusual design, strange and ancient, unlike any she has seen here before. Floating closer on the propulsion of her intricate will she notices another oddity.
The sand in these hourglasses does not move.
Well does Illurien know the flow of sand marks the progression of each dragon’s life. That it should be held in place is not itself unusual. Throughout the Mausoleum many of the timepieces are in such a state, for there are many ways to stand beyond time. Residence upon the astral plane, magical spells of stasis, a dark clouding representing assumption of undead status, and other mysterious fates, but the grouping intrigues Illurien. Her hunger for knowledge is the core of her being, insatiable and immortal of its own. The wish to learn the heart of this matter multiplies from trickle to torrent within her at great speed.
She resolves to weld her considerable power to learning this hidden truth of dragonkind.
A great clawed hand, coated with colorless scales the size of man, and topped with talons to sharp enough to rend the lives of the immortal, sweeps through the air between Illurien and this unsolved puzzle.
Blue eyes turn to gaze into the featureless unblinking orbs of the Death Dragon. Without words she understands the prohibition that has been placed upon her. For a tiny moment the water construction that is her body shivers, and Illurien knows fear, for the gods of death are among the few beings in the multiverse who possess the power to unmake her existence, the only secret of her own nature Illurien does not possess.
Though it boils at her, she bows in respect, and takes her leave, returning through mystic warping to her own home elsewhere in the Outlands, the Athenaeum Nefarious. Once there she takes some small solace. Though she has been bared by divine hands not to investigate the fate of those frozen dragon lives, one day those fates will be decided, for no hourglasses remains stopped in the Mausoleum forever. Eventually the sand will trickle down, the fate determined, and then she will be free to know the truth.
Despite this consolation, Illurien cannot completely evade a brief stab of speculative envy for whatever mortals whose fate it is to solve this puzzle.
It is an opinion those particular beings, lacking Illurien’s almost complete indestructibility, would be unlikely to share; had they the misfortune to know what fate awaited them.
Notes on Mysteries and Mechanics
(this is the part where I write explanations about some of the stuff in each chapter, in the event it may be of interest to readers)
1. Illurien of the Myriad Glimpses appears in Monster Manual V (for practical purposes the 3.5e rules are the backdrop of this story), and she’s included here because, well, why not.
2. Various portions of the description of Chronepsis are drawn from numerous sources, as facts about him have appeared in scattered snippets here and there for years.
I absolutely love it! Chronepsis has always felt like one of the most interesting individuals and you express that beautifully. The mystery of the frozen hourglasses is intriguing and I encourage you to continue to write this.
I always wondered: are the hourglasses labeled in any way?